
Lauren Blankstein, Don't Be Shy, Acrylic, ink, pencil crayon, roofing paper, 24.5 x 23.5 inches, 2022

Robert Mirek, 801 (from Mutations series), Mixed media over basswood panel, 16 x 20 x 1.75 inches, 2023

Kevin Couliau, Giants of Africa, Photography and ambassador project, prints and catalogue, 2023

Hanako O'Leary, Venus Jar 12: My Travels, Izanami Series, Clay, 24 x 15 x 20 inches, 2019

Claire Whitehurst, Rockcandy, Monotype and colored pencil on kozo paper, 9 x 8 inches

Amin Pakparvar and Mehraneh Salimian, Height of the Kite, Short Documentary Film, 2024

Beizar Aradini, Golden Ticket, Thread, 7 x 17 in. 2017

Nola Parker, Moonrise Over the North Branch, 36 x 48”, acrylic on panel, 2023

Alma Haser, Twins, from Twins photography series, 2022

Yoonhee Choi, Fiddle, Mixed media on paper, 30 x 44 inches, 2019

Kelda Martensen, Decisions on Brightness, Monotype, Woodblock, Collage, 50 x 30 inches, 2021

Bradley Marshall, Red Ornament #1, steel, HDPE, air-dry clay, 65.5” x 14” x 8”, 2021

Jacob van der Beugel, Variations in DDC, Berlage Terracotta tiles, Royal Orchestra Building, Amsterdam, 2019

Barbara Campbell Thomas, Pieced, Collaged fabric, collaged cut-up paintings, spray paint, acrylic paint on canvas with insets of pieced & machine-stitched fabric, 22 x 20 inches, 2020

Erinn Kathryn, Marcessis II, charcoal grill grate, foam sheeting, computer hard drive components, bicycle spoke nipples, 35mm film, found plastic objects, acrylic paint, 2016

Cameron Lings, Transitioning Times from Generative Statistic Sculptures, Recycled aluminum and high-carbon steel. Two interacting forms depict both the UK’s increase in using renewable energy and fluctuating decrease in carbon emissions, 2021

KS Brewer, Post-Chronic Divisionations, baby dress, infant hospital gown, plaster casts of CPR dummy face, plaster, clay, glue, ash, iodine, plaster bandage, projector, speakers, amplifier, media player, cables, single-channel video (runtime 16:10 min.), 2021

Michael Acker, La Primavera, Collaged photographs, Inkjet on watercolor and mulberry papers, watercolor, acrylic, 41.5″ x 36.5″, 2020

Jason Briggs, Royal (from Please May I Touch It), Porcelain, hair, steel, Rubber, 2020

Suzanna Scott, Stolon (from Fiber Fetishes), Fiber sculpture, Aluminum foil, fabric, thread, 2017

Jennifer Markowitz, UK/Mexico/Lebanon/Chicago:September 2010-December 2012, Hand-embroidered on repurposed, cotton bedsheet, 2018

Sandra De Berduccy, e-Awayo, Interactive textile, Fiber optic weave, electrical components, LEDs and proximity sensor

Michael DeLuca, Bridge, pastel on paper, 9 x 7 inches, 2020

Gary LaPointe Jr., Rolled Trash Can, Circle Drawing, Polished city trash can, graphite and rust, 2015

Evan Hume, Elaine Au Repos, from Altered States, Photography series, Digital print, 2020

Abe Ferraro, As If.../NOT, part 2 (Sisyphus's Folly), Interactive Installation, 2019

Austin Turley, Guide Lines (Sequences), 3.5" x 3.5" x 2.75", graphite, metal pins, 2019

Taro Takizawa, Untitled, Relief print

Yuria Okamura, Geometric Findings (Calcite), calcite, acrylic and pen on paper, 22 x 30cm

Thea Gregorius, Halo Refief IV, Pinpricks on paper, 2018

Elizabeth Jordan, Jersey Devil II, 2019, wood, fence pickets, chicken wire, wire mesh, Paperclay, plaster wrap, wire hangers, canvas, gouache, watercolor, window chain, L70” x W24” x H19”
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